Persephone: Welcome to the dark side!

9 Jan

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Wow- hello, new readers! I had a wave of subscriptions since my last post, so thankyou for the nice messages and interesting discussions I’ve had since then. 🙂

Before I go all mythological on you, I just want to clear some confusion over a particular term and an oversight on my part which I’m planning to fix in a very exciting way. The term “stripper rates” has been used for as long as I can remember and (as far as I have ever heard it) refers to rates that increase per hour according to the amount of skin on show. It is not meant as derogatory to models or strippers. I stand by my original point that there should be no rates increase between fashion and art-nude because it places the value on your nudity rather than your skill… BUT… it had not occurred to me that adult models may also be reading my post and that is a different matter.
Adult models (here, meaning models who pose to open-leg and beyond) charge higher rates depending on various factors and as this is not my area of expertise, I’m currently speaking to some well-known, very well-regarded adult models about appearing on this blog! This will be the first time I have asked other models to guest post so I’m very excited! 🙂

As I expected- life’s getting busy and I’m almost completely fully booked for my studio weekend at Joel Hicks Photographic in April! If you would like a place, I still have a little time free on April 22nd/23rd but otherwise, February 11th/12th is my only other weekend there and there are spaces aplenty! I would love to use some of the grey atmospheric trees and surroundings before Spring comes along and re-greens everything… 😉 Each hour is just £50-all inclusive- get in touch for a place!

As you can see from this photo by Liv Free, Winter is a good time for photo-making…
(Headdress and make-up/hair by Liv Free)
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There are also just two hours still available on my first ever shibari studio day in March! Click here for more information.
NB: You do NOT need bondage experience- all the ropework is done for you by a trained rigger.

I’ve updated my travel page- some of the ‘possible’ places have become definites and I can’t wait to start zooming around the world again. Do let me know your interest as soon as possible as I’m booking as far into the future as I can- or ask me to add you to my ‘short notice’ mailing list. No need to keep checking back- I’ll let you know if I’m available nearby.

Though I’m definitely noticing the lighter evenings, Winter is still very firmly here- the canal’s frozen over and ducks go skidding hilariously past my window every morning! In Greek mythology, the reason for everything being cold and barren is this (simplified massively*):
Once, the earth lived in eternal summer, watched over by Demeter- the goddess of harvest. One day, her daughter Persephone was gathering flowers in a meadow when Hades, lord of the Underworld surprised her and snatched her off to be his queen. The grieving Demeter turned the earth cold and lifeless and in fear for the earth’s survival, a rescue mission was mounted. The ‘rules’ in almost every legend involving an underworld or faerieland say that you can return home if you don’t eat or drink anything while there and Persephone, apparently, held out for as long as she could but finally ate six pomegranate seeds in her hunger and so when Hades was finally forced to answer to the other gods and goddesses, he used that fact as leverage (or another god ratted on her) and it was agreed that Persephone would belong to the Underworld for six months of the year and return for the remainder. That is why Demeter retreats and freezes the earth for the months in which her daughter is no longer with her and brings back the flowers and warmth when she returns.

I don’t know about you but something about that has always felt ‘off’ to me…
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(I seem to be replacing Lord of the Rings references with Disney at the moment. I’m not going soft, I swear!)

Anyway, here’s another version…
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She had lived in the tower for so long she was almost used to the vertigo. She had lived with the imposed fragility until she had almost forgotten her strength. She had lived eternally planting flowers that she had almost accepted she would never wear. She hadn’t lived– and all because the key to her door lay in the hand of her mother, Demeter.

Seeds upon seeds, in pots upon pots, the little girl Persephone had treasured her work. The child planted, the mother grew, and the seeds were sent out into the world to flourish. Decades passed and yet the woman Persephone remained surrounded by the embryos of flowers she could only see blossom from her window. It had become an irritation, a complaint and finally an argument of the kind that tells a mother her child has grown.
Demeter took the key she should have handed Persephone, and turned it in the lock. Persephone smiled an innocent accepting smile and bided her time. When one is pushed to the light by force over freedom, one learns to think rather dark thoughts. 

There had been suitors but all had been banished. “When you live alone, you may do as you wish” had been her mother’s refrain. It would be pointless gesturing to her earth-strewn, seed-scattered solitude in the tower. Better, by far, to wait for the retreating footsteps and then lean backward out of the window, balancing and swaying until the sun god (who had already been cautioned about looking at her) couldn’t help but go to her aid. Just a favour, she asked. A quick word with the god of messages. 
The god of messages (who had been banished twice from the gate for asking after her) entered through her window. Tell anyone who will listen that I need to get out! The words were on the tip of her tongue but the footsteps of Demeter were already echoing on the stairway.
“Let the earth swallow me”, she had muttered to herself as her messenger fled, but he had heard and prepared to convey the strange request to somebody who could fulfil it.

Her plan shattered, Persephone took the unexpected way out- through the window. It was not as far a fall as she had thought, even without the assistance from various winged forms (who had been snapped at for attempting to talk to her). She came to her feet and ran. Free!

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Wishes have a habit of granting themselves at the strangest times and Persephone, having made her way across eight fields, a river, one and a half woodlands and somebodys garden, enjoyed the feel of grass under her feet and flowers in her hair for less than a day before her request was honoured.

Fear and flight have been added to every story concerning the events that happened in that meadow, Persephone reflected later. There certainly was none. Perhaps her status as a flower goddess in training had misled people about her fragility. Perhaps it was inconceivable even then that an innocent daughter with blossom in her hair could want anything other than the sun on her skin and birdsong in her ears.
Certainly when the earth opened up before her and he stepped out, she felt many things but fear wasn’t one of them.

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The lord of the Underworld has been painted enough times. Enough songs have been sung about him. Enough people have made up their minds on who or what he is. All Persephone will say is that sooner or later, we all meet him and can judge for ourselves. Only she and the dead truly know, and the latter are in no position to speak on him.

It would be easy to claim that she had merely been picking a bouquet to bring home to her mother when this man split the earth in two in order to steal her but the fact is, when one is forced toward the light, the darkness becomes very, very appealing indeed.
Persephone smiled a smile that made even the lord of the Underworld take a step back. She waited the split second it took for him to recover, waited a second more to enjoy the moment and then descended to the Underworld, shedding her cloak on the stairs. She kept the flowers for she had picked those herself.

Of course, her mother was never going to be happy with the state of affairs. As the earth and stone formed a cocoon around the lord of the Underworld and his new friend, who was learning quickly that flowers could bloom underground if they really set their minds to it, Demeter scorched the sky.

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The other gods and goddesses could never agree on whether Demeter grieved mostly for the loss of her daughter or the control she had wielded but either way, people began to die shrivelled and empty as the earth now was. Only Demeter retained a fraction of her former strength and despite threats from the other deities, the earth yielded nothing. The sky remained black.

The sun, who usually saw all, was blind to the goings on below the darkness and had to rely on his hearing and guess at the despair below. It was in the middle of the starless night- which now looked much like the day- that he heard the decision made by the gods council; happy or not, willing or not, Persephone must be found. And he had seen her. Demeter may have cautioned his god, but she had never told the sun himself that he couldn’t look at her daughter- and so he had seen all. Softly, coughing through the smoky blackness, he called Demeter to him and asked her to listen.

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Had Demeter gone to the underworld herself, it is likely that Persephone would never have been found- the Underworld has its own ways of hiding what it holds. Instead, she sent a man who had once guarded her orchard. He flew through the gates in the form of a black owl and found Demeter’s daughter wearing a black dress and a smile. When he tried to persuade her to return, she asked him simply for a good reason.

The man who was an owl thought for some time and took out a pomegranate he had saved. They were messy and fiddly to eat but he was hungry and Persephone was scary.
“Your mother is, after all, family. Blood is thicker than water…” he offered.
“That saying is incomplete”, Persephone told him gently, taking a seed. “It is ‘the blood of comradeship is thicker than the water of the womb’. But I suppose one conversation with her wouldn’t do much harm.”
“The food up here is tasty when it grows?” he offered her the pomegranate and Persephone ate another seed.
“So is the food down here. But you are right.”
“You would be less lonely up above.”
“Don’t confuse being alone with loneliness. I’d like to catch up with some people though.” She took a seed and looked at it. It was pretty. The man who was an owl almost reached out to pat her arm but thought better of it.
“You could escape and return to the glory of the sun. And lastly, your mother would, I’m sure, let you entertain a better suitor!” Persephone took two more seeds, crushed them between her thumb and forefinger and flicked the sticky juice back into the messenger’s face.
“Let? I chose my own suitor and I don’t need, wish, or want to escape. You have given me four tenuous reasons to return to the above and two reasons to kill you and remain lost,” she snapped at the man who was an owl, who flew from the Underworld and returned in minutes with a guard.

Persephone’s rage was terrible but the old rule stood- taking the food of a world to which you do not belong binds you to that world and she had taken six seeds from the above, which was no longer hers. As she prepared to spend the rest of her life divided, she cursed the man who was an owl to remain jet black and live only in the dark of the night from then on. Don’t look for him- you’ll never see him.
Demeter kept her job as harvest goddess but only just- the summer comes once a year now, and other gods and goddesses have taken greater precedence. She and her daughter still talk from time to time though half of Persephone’s life remains a mystery that even Demeter would rather not know. Persephone still remains goddess of flowers, but these days her tastes have changed….
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Photo by Lisa Waud

Other images by Leigh Eros (who I am greatly looking forward to working with again this year)
Pink corset by Orchid Corsetry
‘Metal’ corset made by me.

I waited a while for the perfect story to write that would go with the images and was cursing my writers block… and suddenly I realised I was stuck because the story had already been written and it fit so perfectly. We didn’t go out intending to illustrate a myth but somehow it happened- even down to the six main balls of light in the last picture.

I’m excitedly writing something to go with the rest of the set by Liv Free so I’ll show you those pictures as soon as I can as well… 😉

It’s now 3am and I just poured coffee into my cup of tea. Definitely bedtime…

ROSWELL x

P.S. Is there anything you would like me to write about? I’ve had a lot of flash fiction requests and am making a new website for my non-modelling writing, but anything industry-related you wish I’d burbled about long ago? Let me know.

* strictly speaking, being Greek mythology, there’s a lot of cheating, rape, abduction and incest in the long version.

Upping your game- model resolutions

29 Dec

It’s that time of year again- the time we collectively freak out over our tax returns (hey, it isn’t January yet…) and many of us start looking at self-improvement, myself included. As I have a few big projects on the go, my resolutions are little ones this year but one involves upping my game as a model. The other is setting up a new website for my professional and fiction writing.

While I have a blog in the works about the ways people shoot themselves in the foot when trying to make a living as a model (or any professional really), this one’s about the little things that make all the difference. I asked industry people how they knew they were working with a really good pro model and combined their advice with mine.
NB: When I say ‘professional’, I am referring to attitude and not whether modelling is a full-time occupation.

While I detest the phrase, this is how to “take it to the next level” as Tyra Banks would say…

1) Arrive professionally!
I considered this ‘basic’ knowledge but it came up so often I couldn’t not add it to the list.
Wear loose-fitting clothing and no underwear when travelling to photoshoots- it means there will be no lines or marks on your body that will need photoshopping out. During the photoshoot, work from less clothed to more clothed. Nude to fashion. Same reason- starting in lingerie before moving onto nude means you’ll have red marks from your bra and knickers.
If there will be a stylist, come with no make-up on at all. If not, check in advance how the photographer would like you to arrive- some models prefer to come 100% shoot-ready, others apply foundation, powder and eyebrow pencil so they can freshly do any look required with the basics already in place. This works well for studio days or if the photographer is unsure what order to shoot outfits in.

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Arriving “naked”. 

2) Remember your fingers and toes!
Hands are often hard to pose. One of the lessons I learned very early on in my modelling career was that unless you are going for the ‘trapped in a box’ or ‘ugly-pretty’ vibe, hands should be made as elegant as possible by:
– Posing with the sides or backs of your hands to the photographer.
– Keeping the wrists relaxed and the elbows strong. Ballerinas already know this!
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– Consciously paying attention to the way they look and feel, so you’re less likely to get spade hands (picture below), clenched fists or “Dr Zoidberg hands” (which is when you look as though you’re impersonating a lobster and what I end up with if I don’t remember to relax!)
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Left: way back when! (photo by Gothic Image)
Right: last year (photo by Emma-Jane)

Point your toes- especially when shooting nude.It lengthens the leg and tapers it to a point rather than an angle.

3) Embrace your face
I read the BEST article about the ‘contouring’ craze recently, which mirrored my own feelings on the matter (more in a later post). Learning to do your own make-up is ‘modelling 101’ but knowing when to take some of it off is also invaluable.
Pre-Raphaelite style or very high-end Art with a capital ‘A’ photographs often feature a (seemingly) make-up-free face. Though you may rarely have to do it (especially if you’re a glamour or pin-up model), knowing how to do ‘natural’ properly and having at least one photo showing that style on your portfolio can help you if you want to move away from the more made-up genres.
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Case in point- this is Ivory Flame, photographed by Derek.

I now wear minimal make-up for art-nude work unless the photographer is going for something different- which leads me to…

4) Ask the photographer what they want to achieve.
Your job is to get more amazing shots than the photographer needs- so they are spoiled for choice by the end of the shoot. If they have not already sent you a moodboard or plan, ask them at the beginning what kind of images they would like to make.
If they’re all about going with the flow, then put your ‘muse hat’ on and offer a few ideas along with a wide variety of poses, outfits and accessories. Not everybody has a ‘plan’ so as long as they’re happy, you’re doing a good job!
Also, ask where your light is so you know which direction to look and pose toward.

5) Ask to see the back of the camera
We aren’t judging you, photographers! 🙂 Models understand that the finished shots will often look nothing like what we can see in that teeny screen, but we’re looking so that we can check our side of things- the posing- is working. A model who asks to see their work is a model who wants to know if there’s a way s/he can improve and get a better shot.
Photographers: if your model asks to do something again, or asks to change pose so they no longer have a double chin/foreshortened arm/eye bag etc, they are not full of self-loathing, but working hard to make sure the raw photo is the best and most flattering photo you could possibly get! Learning to criticise our own work is part of improving as a model and a couple of photographers have seemed surprised and maybe a little sorry for me when I have pointed out a flaw I could fix. Don’t be! (Unless I run to the bathroom crying that I look like Mad Madam Mim…. and that hasn’t happened yet.) 😛
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“The magnificent, marvelous, Mad Madam Mim…”

6) Communicate en-route
Make sure you have the photographer’s number a few days before the shoot just in case of emergencies. Though I could definitely improve upon promptly replying to emails (though I do clearly note my constant travelling and 100% reply rate on my profile), I always always, always text the photographer when I am on my way to the photoshoot and again if there are any delays to my journey. This means that if I go off radar en-route (e.g. on the tube) the photographer does not automatically assume I have no-showed.

7) Rewrite your profile notes
There seem to be two schools of thought when it comes to your profile.
One: keep it concise and invite enquiries.
Two: Tell clients everything they could possibly need to know.
I can’t NOT write so I have a great big burble on my profile, BUT… it is spaced-out, separated, with headlines and font in bold. It may be lengthy to read but it is easy to read. Once you’ve saved your notes, check how they appear on the page- make sure you don’t have a wall of text and that what you’ve written is comprehensible.

8) Lose the ‘stripper rates’
I have never understood why so many models charge according to how naked they are! £15 per hour for fashion, £20 for lingerie, £30 for nude etc etc. How does it even work? If you’re booked for a fashion, lingerie and nude shoot, do you charge a different rate per hour? Divide the rate by the mean and median and consult the calculator? Stop this madness!!
Professionals understand that they put as much effort into a clothed shoot as into a nude shoot. They are posing for people who want to capture an image, not watch a glorified striptease. While the main ‘product’ you are selling is your appearance, it is also your skill at posing, your make-up, the guarantee that you will arrive on time etc etc etc. Therefore, your time should cost the same regardless of your state of undress- this places the value on you, not how much flesh you’re willing to show.

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“Implied clothed”. 😛
Photo by GSTim, dress by Falcieri designs

On that subject…

9) Don’t ever (EVER) have ‘secret levels’.
It is completely okay to be selective about who you work with, especially with higher levels, but hiding the fact that you pose nude (or any other level) does not work. People talk and it gives the impression that some of your work is a shameful secret.

There are many ways to be clear on the subject of levels:
– “I work up to and including lingerie level and take on very occasional nude work depending on the project.”
– “Please note I only work to art-nude level with a few individuals I select- other enquiries about nude work will be ignored.”
– “I only work to open leg level with proven photographers in the genre, with extensive references provided. Thankyou for your understanding”
– Please note that as of __insert date here__ my highest level is now lingerie. (This is a good way to state that any more naked images found are simply old work and not your ‘guilty secret’).

Facial recognition software is now scarily good- photos of you are online to stay and just like celebrities who protest through lips that have tripled in size overnight that of course they haven’t had surgery, trying to hide the obvious is an exercise in futility. Post your levels honestly and people will stop obsessing!

10) Stay pro.
Leave your photographer a reference after the shoot if everything went well! Hopefully, they will do the same for you.
If your photoshoot was TF*, you are being paid in images so make sure you receive those pictures. If it’s been a while, send a polite follow-up message. Communicating well is everything.
If you have been paid, but would like to post images on your blog or facebook etc, ask first!! Some photographers are perfectly happy for you to use the images. Others are not, so always check even if it seems obvious. If you have permission to post the pictures, credit the team if there was one. (The whole team- make-up artist, stylist, etc etc- nobody likes to be left out.)

Bonus point:
Don’t nick the photographers pasty. That’s just not acceptable… 😛

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I couldn’t decide which pictures to share (as per usual) but as this awesome set from Dirk Glassly show me as the polished lady who has it all, it had to be this set! 😉
Outfit by Lady Allura’s latex
Hair and make-up by me.

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The Urge To Migrate

21 Dec

I haven’t left the country in nearly six weeks. Usually I tour internationally at least once a month and though I love to return home and make a cinnamon-scented duvet nest over the Christmas period, I’m now planning next years tours even further in advance. (It’s one of my New Years Resolutions but that’s another post)…
For photographers (and other models who would like to meet up), this blog is my current plan for 2017- including studio days, discounts and travel.

If your location is not listed or marked as ‘considering’ and you would like to book me, please get in touch! I plan tours according to demand and if I don’t know you’re interested, I can’t arrange anything. 🙂

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Photo by Sabrina Fenn, taken in a gorgeous Norfolk lavender field last year.
I’m wearing Yummy Gummy latex.

Discounts
I am running a 10% discount on shoots for January/February that are booked before the end of the year. If you would like to start 2017 with a bargain, get in touch asap with your location and any enquiries.

Short notice
You are welcome to book as far in advance as you like but I understand that you cannot always know what you’ll be up to in four months time! So… if you prefer short notice bookings, get in touch and I will add you to a ‘first refusal’ mailing list. If I still have days free within a couple of weeks of my tour beginning, you will be the first to know.

Events
Fantastic value for money, and a location ready and waiting. I have a few very exciting studio events coming up next year:
Joel Hicks’s studio: February 11th/12th and April 22nd/23rd
Hangleton Lane: March 25th/26th*.
*My first ever SHIBARI DAY– March 26th, with a very experienced rigger. (3 slots remaining)

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Left photo by huitgalerie, right photo by Follyhouse, taken in the grounds at Joel Hicks’s.

2017 DIARY

January: I’m thinking about visiting the Manchester area and also offering some short street fashion shoots in London. If you’re based in either, let me know and we’ll arrange something. I am of course available for local-ish bookings (Milton Keynes, London, Birmingham, Cambridge etc) from the 6th onwards.

February:
11th/12th Studio Weekend at Joel Hicks’s studio near Leicester
25th  Available in Oxford and the surrounding area
Considering Chester

March:
22nd-27th South Coast Tour. Available on the 22nd, 24th and 27th
25th Studio Day- Hangleton Lane
26th Shibari Studio Day- Hangleton Lane
Considering Norfolk- 17th-20th

April:
8th/10th Guildford area (available 8th and 10th )
22nd/23rd Studio Weekend at Joel Hicks’s studio near Leicester
Considering Kent

May:
Ireland tour- dates TBC
Considering Northern England tour

June:
Denmark, Norway and Sweden tour- dates TBC

July:
Switzerland-  considering the 7th-9th
Scotland tour- considering the 19th-26th

August:
Germany- art-nude tour
Considering Iceland

September:
Ireland tour- dates TBC
Scotland tour- dates TBC
Considering Wales

October
Eurotour- dates TBC

November:
Open to suggestions!

December:
Reading/Wokingham area- dates TBC

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In the near future, I may be spending more time writing rather than modelling so if you are interested in booking me while I’m travelling around, get in touch and lets plan something fantastic!

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Now, my last blog about Helmut Newton got some attention! 😉 Some people agreed, some didn’t but I like making people think and starting conversations. I searched my computer for some unseen pictures that evoked the fetish/fashion style in the few pictures of his that I like and in terms of mood and outfit, I have found some! 🙂
John Duder is hands-down, one of my favourite photographers to work with! He and I get on like a house on fire (though I’ve never understood that expression) and it seems that every time we work together we create something completely different! Here’s a shoot that’s a little bit of a throwback, with one of my favourite designers- Fabulously Fetish.

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Committing heresy: I (mostly) hate Helmut Newton

21 Nov

Are you following my new instagram? 😉

I first came across Helmut Newton’s work when I was about eight. I was having a chocolate brownie with my mum and her friend in a Covent Garden cafe, and the smallish framed pictures on the walls featuring tall busty women in, if my memory is still working, wet t-shirt contests, all bore dates and the words “Helmut Newton”. The women looked so similar I assumed it was one model and that was her name. At age eight, I also thought that a wet t-shirt contest was about who could get their t-shirt the wettest…

Three thoughts I have about Helmut Newton.
1) He looks like Robert De Niro if you ironed him.
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2) His life is fascinating- I don’t hate the man, just most of his pictures…
3) … which are an eclectic mishmash of spectacular and bloody hideous.

Over a decade after that sighting, I was working as a professional model and finding that Mr Newton is the untouchable pinnacle of fetish and erotic creative achievement according to many people I worked with and spoke to online. Bob Carlos Clarke is another (I adore his work but suspect I wouldn’t have got on with him.) In the same way Joe Public thinks of Kate Moss first and foremost when discussing modelling, Helmut Newton’s name is synonymous with many genres that make up my workload. I can’t get away from the man! More specifically, the phrase “Helmut Newton style”.

These images are by Helmut Newton.

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If you would like to book me for a femme fatale, glamourous nude or lingerie shoot in a gorgeous hotel or any other location with perfect hair and make-up, in black and white then please, oh please do! I love the first three images below!
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Charlotte Rampling
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Daryl Hannah
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I don’t love these ones…

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And don’t get me started on these.

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When somebody says “Helmut Newton style”, I have no idea whether they are thinking about nude models in five star hotels with stunning hair, make-up and old fashioned decadence….. or unflattering angles on an unmade bed, legs splayed, fellating a gun. Helmut Newton has several styles and they do not look like the same photographer! I can only imagine the horror for a new model expecting the former, being booked for the latter and realising that yes, Dr Jekyll is also Mr Hyde.

I understand that his images were risque for the time, that they were influencers, but it was easier to be edgy in the 70s. When I first started modelling, I thought a gothic shoot in a graveyard with Crow make-up and photoshopped bats was an amazing idea. Fortunately, I moved on. Yes, Newton’s work is historically significant- I’m not suggesting that he be confined to history’s dustbin, just suggesting that a name should not turn a bad photo into a good one.
If this picture wasn’t a “Newton”, what stops it from being very thin woman with ‘spade’ hands and her legs hanging open?
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If this wasn’t a Newton, why isn’t it just a cheesy, overacted, rather unflattering shot?
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I think that one thing keeping his images from being thought of as trashy is his choice of models. Helmut mostly worked with extremely tall thin women with long limbs and fairly small breasts. Women with ‘fashion’ figures can often make almost anything look daring and edgy. There are poses that fashion models can pull off but make a curvier model look lurid and tacky. This is a prime example. The pose makes smaller breasts look bigger and most big (natural) breasts look like droopy udders.
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Charlotte Rampling, Daryl Hannah, Carla Bruni… his choice of model also happened to be particularly beautiful celebrities- of course his images will remain in the public eye as long as the subjects do! Would they still be considered timeless and iconic if he had exclusively picked pretty women from the local bar?
This isn’t just any woman looking bored, grabbing her tit- this is Catherine Deneuve looking bored, grabbing Catherine Deneuve’s tit.
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In my opinion, Helmut Newton had some truly beautiful photos and some equally dire ones in a mostly cool-ish portfolio which was helped by his choice of subject and use of stark black and white (somehow it makes many photos look more ‘arty’.)
As a fetish model, I can appreciate his daring to try weird stuff and as I usually do my own hair and makeup, I find the glamourous styling makes its way onto several of my personal moodboards. I love his hotel shots and sometimes his framing is just perfect. It’s why I’ll gladly consider a Helmut Newton style shoot with you… but first I’ll ask “what style?” ;P

Doing it better…

I’ve actually wanted to write this blog for quite some time… and then the pieces fell into place when a forum post on Purpleport started up…  So I frantically mailed a few photographers I greatly admire who, in my opinion, do “Helmut Newton style” better than Helmut Newton.

John Tisbury
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Model: Vic

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Models: Katy Cee and Iveta (both retired from modelling)

Max Operandi
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Assisting Don McCrae

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Model: Your humble blogger. That’s me.

Jeremy
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Model: Ella Rose

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Model: Rosa Brighid

As I just realised I only have one image of me in an entire blog, here’s one of my all-time favourites, by Gregory Brown.
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Now, I’m sure one of you is going to tell me that many of the images above were heavily influenced by Newton. I know. I am very aware of this, but the fact is that Helmut Newton was also inspired by other people and somebody (can’t think who!) said that you can copy whatever you want but what matters is being better than the original. 😉

It’s okay to disagree with me- come and have a chat about it if you want! I’m just glad I got that off my chest. ;P

ROSWELL x

P.S. Here I am demonstrating how to correctly work with a cat. Take note, Helmut Newton- wherever you are in time and space!

Incorrect cat-handling.
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Correct cat-handling.
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Photo by Elena Isac.

A little bit of news…

14 Oct

I’ve been all mysterious recently… I had to postpone photoshoots (which I NEVER do). I’ve been in hospital. I’ve mentioned new projects. I’ve hinted annoyingly. It’s time to reveal all!!!
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I hate secrets... 😛

First news: I love my job but I am aware I cannot model forever. As I’ve said, I’m not going anywhere just yet but I have been rather busy behind the scenes. As I travel so much and love to write, I’ve set up another blog/website, twitter and instagram. In fact, it’s a lot like this blog but with more selfies, travel advice, news from my boat and pictures/tales from my adventures around the world.

www.lifeoutthere.co.uk

If you didn’t know already, I’m very into my postapocalyptic everything. I (apparently) look like a videogame assassin from the end of the world when I’m not modelling, and will be sharing my style sources and how-to tips for the interested. I live on a narrowboat and take pictures of her. (Yes, all boats are ‘she’, even if they’re called ‘Thor’.) I know all about travelling cheaply (London to Utrecht for £13, anyone?) as well as weird underground off-the-beaten-track places to go in about ten different countries. I have a LOT of fascinating friends who may also make appearances. If any of this sounds interesting and/or you’d like to continue supporting me in my next (ad)venture, which I really hope you will, then please come and see me at these places and share the links. All are welcome but this is especially true if you’re a fellow adventurer, blogger and/or woman. I’d really like to support you too!

Oh, and yes, “F.Roswell” is also a pseudonym.

Here’s a static visual trailer for the site. (Ahem… what I mean is, here’s a bunch of photos…) 😛
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Seriously though, I’d really love and appreciate your support in this- it’s a completely new project for me and I’m starting from scratch but I have big plans. This little blog couldn’t have got as far as it has without your shares and support- thankyou.

On to the second news: on June 22nd, I was sterilised.

Almost every parent I know says that having a child is one of the most life changing things you can do. (Possibly THE most, in my opinion.) Nothing can prepare you for the reality and it is a permanent, life altering decision. Hold that thought…

As many of you may remember, I’ve been fighting to be sterilised for a long time. If you’re a newcomer, my rant is here but I’ll summarise:

I’ve never wanted children and hormonal contraception is not good for me. As I’m nearly 30, I decided enough was enough and wanted to be free of the worry once and for all. I am aware that this is a permanent decision. I have been reminded of this by friends, strangers and medical professionals and I have been fully aware of the permanence of this option since I was eight.
None of my friends with children are continually reminded by shocked people that their decision to bring another human into the world and be responsible for them for at least the next eighteen years is irreversible. None of my friends have been told “you’ll change your mind” on announcing their pregnancy. The decision whether or not to bear a child is a serious choice concerning our bodies and fertility and if age 28 (as I was) is old enough to permanently become a parent then it is old enough to permanently choose not to. What matters is having the right to make the decision in the first place. You (or ‘one’) may feel I’ve made the wrong choice, but that choice should be mine to make.

As I said in my viral rant, I got a rejection letter regarding funding. What had not been explained to me was that while funding was denied by my local hospital (which could be for any legitimate reason), it was not denied altogether- I’d just have to go to a different hospital. So when a different hospital called me for an appointment, I was grouchily prepared for a stern finger-wagging and another assertion that I was too young to make such a permanent decision. (As though parenthood is temporary…)
Not so. I walked into the doctor’s office and… SURPRISE STERILISATION! I embarrassingly enough burst into tears at the shock and relief. Yes he went through the usual questions (permanent, surgery risks etc, other options) but prefaced each question with the words “I legally have to ask…” which made all the difference. So we set a day for surgery and off I went!
The actual surgery, waiting times and hospital details were stressful and horrid (if you have questions, mail me directly- I’m happy to be open but don’t want to publicly overshare medical stuff) but the nurses were amazing, took care of me and ‘my needy boyfriend’ (the drip I was attached to) and as I was severely dehydrated, I spent the night in hospital where I got a 5am wake-up call in the form of a woman giving birth on the floor below. Changed my mind yet? Naaaaah…

Moving on! Photographers- please worry not. I have two tiny scars- one hidden in my bellybutton, one hidden just below my pubic hairline. I’m back to what passes for normal in my life. 😉

So there’s my news! There’s a lot of change and things moving about in my world at the moment and I’d be lying if I said things weren’t pretty scary. I’ve done casting calls, travelling, photoshoots and all of the everyday things that come with modelling for over a decade and the thought of building another business (Life Out There) from scratch is daunting to say the least. If you know anyone looking for writers or traditional illustrators, there’s someone riiiight over here! 😉

Of course, the day I decide it’s “last hoorah time”, you’ll all be the first to know but for now, lets have more pictures!!

As I’ve blogged about two different sides of my life, what better pictures to post than these ones by KinkyStyle?! Still a fetish model, but almost everything in the shots are mine (and the coat was made by yours truly…)

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ROSWELL xxx