Tag Archives: nude model

“Hitting the Road, Jack…”

15 May

r59
Photo by Tim Bosworth

Once more for the people at the back: I AM NOT RETIRING FROM MODELLING YET- JUST MY BLOG. 😉

Find me here:
Portfolio
Facebook
Instagram

Dudes, dudesses and odd person from Pittsburgh who genuinely believes I am part of the Roswell Incident; I’ve been writing this blog for seven years and of all the things I’ve created, I am probably most proud of this one.
While maintaining this little corner of the internet, I went from being an assistant in an amazing hippy and pagan shop to becoming a full-time international model. This blog has seen two long term relationships end and one begin. It has seen me drastically change my modelling
journey twice- from alt and art-nude, to fetish, to the current fine-art, curvy fashion and femme fatale of today. I have written some of what I consider my best work, sparked an argument or two, *cough* Helmut Newton *cough*,  met some amazing people and helped put a serial rapist in prison. I get overwhelmed when I think about my long term relationship with this seven year project…

But this is sounding like a goodbye, isn’t it? 😉 That’s because it is.

Photographers, I promised I would give you at least a year’s notice before I hang up my Suitcase of Doom- this is not it. I’m not saying farewell to modelling but… at least for now… I’m taking off my blogging hat. I have so many other exciting projects I’m working on that I can no longer spend the time on this one.

I will still be writing guest posts on other industry blogs and posting regularly on my social media- I’ve linked the places you can find me below and I hope to see you there. ❤
I’m not taking the whole blog down- my old posts are here for anyone who wants to read them and I have linked some of the most popular ones below as well.

Thankyou from the bottom of my little black heart for all of the support and for sharing my posts. See you in another corner of the internet! 😉

ROSWELL xxx

WHERE TO FIND ME NOW?
Portfolio
Facebook
Instagram

POSTS YOU MAY LIKE

Modelling tips and tales:
Tips for planning a tour
How to shoot in freezing conditions
Upping your game
– Guys With Cameras. How a total newbie can book an excellent model
– What do models eat?

Tales of a naked girl
– Confessions of a nude model- a wee rantette

– What to do when the worst has happened
– The real thing: a rant

The Shaun Colclough case (in chronological order):
1)
The importance of references
2) Proud
3) Justice
4) Peacocks Swansong
5) Aftermath


Assorted wordy rambles:
Committing heresy: I (mostly) hate Helmut Newton
Give me hope (sterilisation and the childfree movement)
“Dangers untold and hardships unnumbered”
Solidarity with Stoya
A Tale of Two Captions
Death Becomes Her
Care
When the veil thins…

P.S. I couldn’t leave without posting some pictures… and I’ll post more from ALL of these sets on my social media.

New edit from an old shoot by the incomparable Max Operandi
991-a1492090442979

Two from a photoshoot with WOLVES, by my friend Valeria Kogan. Make-up/hair by Naomi Benjamin, dress by Joanne Fleming
sm medeina green
16143058_1336915006359144_5119645724138189657_n

In my bridesmaids dress! Photo by GaryMac and make-up/hair by me
16185-a1487469407569

I posed with a male model for the first time in YEARS and fortunately it’s my friend Darren S, who you should all book because he rocks. Photos by Tim Bosworth
I love the “American Horror Story” look of the last few- check out the crazy shadows!
P1110335
P1110468
P1110426
P1880632
P1880555
P1880557

I completed the “nude model seasonal rite of passage” this year. (Spring is bluebells, summer is rapeseed, autumn is leaves, winter is snow).
Photo by Scarecrow
1239-a1493657605442

Mermaiding about, by Andy Green
Roswell-2R-6348

And finally…….. shots from the beyond multitalented and lovely Liv Free, who took the photos, made the big headdress, did my hair and made-up and edited the pictures. ❤

15658806_1187357908038497_1378404898_o
15658165_1185855901522031_998592614_o
15658927_1185886768185611_1883358091_o
15658694_1187363451371276_1096187763_o
15681978_1185861624854792_505994381_o
15657846_1185869424854012_1389049540_o

The how, why and where of going “on tour”!

12 Apr

**Illustrated with photos by the incomparable Ben Ernst- from my latest tour of Holland!**

I don’t think there’s a single freelance model around who can live and work full time without touring. That isn’t to say that touring is a last resort or a bad thing- I’ve written a lot about how much I love to travel- so much so that I can’t imagine staying in one place! Still, I often read posts on modelling forums asking how to go about planning tours in the first place. For the first two years I had no idea what I was doing so made a tonne of mistakes and lost a tonne of money. I still enjoy the shooting more than the planning but I no longer assume everywhere is a couple of hours away and have to take a last minute sleeper train across Germany…
BREAKING NEWS: you can’t get to Dusseldorf from Berlin in three hours- you heard it here first!! 😛
j

This is the foolproof guide to planning a tour:

LOGISTICS:
So I don’t have to write fifty addendums, I’m going to assume your first tour is in Western Europe at the absolute furthest. America is a legal nightmare, Australia requires some logistics gymnastics and I don’t know a thing about visiting Asia. 🙂

1) Decide where you want to go.
Are photographers constantly asking you to go somewhere? If so, go there. If not, ask on social media and networking sites. There are probably many photographers who want to book you but don’t know you’re about to start life as a touring model. I’d advise going somewhere at least four hours away from your home base as most people wouldn’t travel four hours each way for one photoshoot (though I have had a photographer travel from Sweden, which was a lovely thing to do!)

2) Check your dates- it helps to be flexible.
I usually book my tours 2-3 months in advance. It helps me not panic as days slide closer and closer, and I can rethink my plans if my location looks to be a “touring model hotspot”. Try to make sure that other models aren’t touring there at the same time. It isn’t a total disaster if there’s more than one of you but work can be thinly spread for all involved. (If you do find yourself in the same area as someone else though, it can often be a lot of fun meeting up and either getting booked together or doing something touristy!)
If your tour books up faster than you expected, if you have a day or two either side, you can extend the dates to fit demand.

3) Snoozing and cruising!
Once you have your dates set, you need to know where you’re sleeping and how you’re getting around- then it’s just a case of booking work.
If you drive and are staying with someone, you’re sorted. If not, check train costs on nationalrail.co.uk and nationalexpress.com. Those are the main train and coach sites. This is when it helps to have flexible days as travel costs can vary. For a place to sleep, check hostelworld.com, airbnb or any hotel booking site you like. I recommend laterooms.com though others swear by booking.com

Unless you’ll be absolutely bankrupted if you aren’t booked solid on your planned tour, book the above *well* in advance. It really is cheaper- especially if you’re coming by train. If you have left it a bit late, don’t worry too much- have a look at coach times and fares. Eurolines often have some amazing deals if you’re travelling internationally. If you’re in the UK, try Megabus. There’s usually a hostel available in any city at any time*, but if you’d like to be a chooser rather than a beggar, make your booking quickly.

* Except Amsterdam. If you are going to Amsterdam, book your bed NOW.

Once the above is planned out, that’s the scary part over.

17409620_215951205549519_199248528_n

JOB HUNTING:

1) Start casting
If you’re already working as a model, you know how to post a casting call and advertise on social media. I don’t bother with flyers but I know a lot of models make a nice flyer advertising their dates so that people can share it as an image and get the word of the tour out more easily. If you want to do that, go for it.
I contact photographers who have already expressed an interest in working with me before I start posting public castings as it gives them a chance at a first refusal which is usually appreciated.

2) Language skills
– If you’re going to another country and know the language, say so in your casting. Even better, write the casting in both languages. (Keep it short though.) If you don’t know the language and are going to be working with several photographers in quick succession (for example, a workshop or studio day) check that the organiser or studio owner can help with translation! Nothing is worse than being yelled at by six people at once in a language you don’t understand.
– I almost always list my rates in the currency of the country I will be shooting in- it makes things easier for the photographer booking me if they don’t have to convert cash.
– In the body of your casting, emphasise anything popular in the country- are there any fashions you would suit? (For example, if you work to nude levels, you may get a flurry of bookings in a conservative country that has a large photography scene.)
– I shouldn’t need to say this, but use correct grammar. No txt spk. Try to use spellchecker if you aren’t sure. Not only do you look more professional but if you’re advertising for work in a country speaking a different language, you’ll be difficult to understand if you’re sloppy when advertising.

3) Locations for dummies
I never used to charge travel expenses thinking “what’s a tenner here and there?” Well, my first ever Scotland tour had four days filled by two half-day bookings on each day- a decade ago, I was charging £100 for a half-day. I was commuting around an hour or two each way and sometimes to EACH shoot. Not a particularly hard commute- I like travelling- but the £20 or so (not booked in advance of course- I wasn’t sure exactly where the studio would be in relation to the station) mounted up. By the end of my tour, taking off the original travel costs to and from Scotland, travel expenses in Scotland, accommodation (even though it was just a hostel) and food, I was left with £500 profit. After a six day tour in which I had run myself ragged. It was heartbreaking but a good lesson in why booking in advance and charging travel expenses when you leave your host city is so important.
Many years ago, I also made the mistake of judging all countries by the UK’s size. So I went to Germany and booked two full day photoshoots- one in Berlin, one in Dusseldorf. To my horror, I realised my mistake halfway through the first shoot and in my lunch break, booked a night train very quickly and moderately expensively. I got to Dusseldorf in time, pretended I’d come from the suburbs and the photographer never knew…. until now. 😛 Make sure you know where you’re going and how you’ll get there!

If you’ve done castings, shouted all over social media and still have gaps in your schedule, consider taking a day off to explore. If that isn’t an option, can you shorten your tour or try another place? (For example if you are casting for Leeds, try Manchester too).
Bear in mind that tours can be unpredictable. I’ve expected visits to sell out in hours and they haven’t, and trips I added as an afterthought have had to be extended by days! If it’s your first tour, you have no client base there… yet. You need to get the ball rolling and things may start slowly but if you’re a skilled model with a good reputation, things will pick up.

17409731_216111752200131_1328760871_n

SERIOUS STUFF:

1) Insurance of all kinds
A lot of things are up in the air at the moment due to Brexit but if you’re travelling outside the UK, get health insurance- you don’t want to lose your hard earned money in hospital. There is no reason not to- peace of mind is priceless.
Just in case- because you never know, pack that little leaflet your bank gives you when you travel, as well as the emergency numbers of the country you’re in.

2) Time travel.
If you’re travelling to a different timezone, remember that you may need a day or two to get over any jetlag from long-haul flights. If you travel back and forth a lot, you’ll know how long you need. If this is your first time, set aside a couple of days after arrival and you should be over the worst of it. Keep one thing (phone, alarm etc) on “home time”- especially if you’re on medication or the contraceptive pill, which should be taken at the same time every day.

3) References
I can not stress the importance of references enough. In your own town or country, at least if something happens you can speak the language, call the emergency services, find the nearest train station or taxi company, get cash out etc- it’s familiar territory.
If you’re on the other side of the world with little knowledge of the area, what are you going to do? It is so vital that before you confirm a photoshoot with someone, you contact two or three people they have already worked with to make absolutely sure that they are okay. It’s important in your own area, but doubly so when you’re touring.

17361009_216111762200130_1402708176_n

FUN STUFF

Exploring!!

Have a walk around when you arrive. Is there a tourist information point? Any pretty places to look around? Always know where your food is- if your shoot finishes late and the cafes are closed, knowing where your local supermarket or 24-hour store is will save you from breakfasting on anything you can see when you wake up starving. This has actually happened to me in Spain- I finished working with two other models and had luckily noted the 24-hour shop down the road. So we went shopping and had a bed-picnic!

I came to realise that I was travelling to all these amazing places but relying on location photoshoots to show me around! On my days off, I mostly curled up in my hostel to read and do admin work. Set up an auto-reply on your e-mail to let clients know that it may take you a little longer to answer queries, and take yourself somewhere on your free days. If you look in the lobby of where you’re staying (especially in hostels), you’ll find they usually advertise budget tours. Modelling does not last forever and while you’re doing something so amazing, make the most of it!

17410369_215951175549522_854077294_n

p.s. I couldn’t decide which version of the “wrapped up” picture to post! Which do you prefer? The full colour one of this one?
17391994_216111738866799_342955984_n

The Winds of March- shooting in the freezing cold

15 Mar

Spring is springing! I returned from a week long trip away shooting for my sister site to find that even though it was night time, I could smell the blossom on the trees and I woke up in the morning to early sunrise and the annual “East side/West side nesting goose turf war”. The weather has improved and I cannot wait to shoot outside again- I’ve even picked up some new floaty pretty things and am working on improving my art-nude pose repetoire to really wow everybody this year.

I began writing this post as the weather turned in Autumn and though I am optimistically hoping we’ve seen the worst of the really bad weather, March and April can still be windy and cold so… better late-ish than never, right? 😉
Here’s my guide for getting the best from your model in a freezing situation:

Roswell-2
All images by Imaginary Revolutionary unless otherwise credited

BEFORE THE SHOOT

1) Keep a ‘model kit’.
An experienced model will have many of the things listed but supplies can run out and sometimes there just isnt enough space in the suitcase for everything. 🙂 I’ve been so grateful if the cold has really got to me, I’ve slipped on a rock and I’m hungry and the photographer has been able to offer me a plaster or water to wash the cut as well as a blanket and a snack.
– A towel (for changing and/or wet feet)
– Cereal bars or Mars bars (Food is always good but Mars bars are for serious sugar crashes- hopefully it shouldn’t come to that!)
– A couple of bottles of water
– Loo roll. (Especially if you’re in the middle of nowhere!)
– Plasters and painkillers
– A blanket and possibly hand warmers if it’s REALLY freezing
– A flask of hot drinks and a hot water bottle if you know you are really going to suffer for your art.

2) Book an experienced model.
I know professional models charge higher rates but you will get a wider range of poses and more usable images in a shorter amount of time with a model used to cold weather photoshoots- especially when it comes to art-nude work. Overall, the extra cost is offset by the level of productivity.
If you really want/need to work with a new model, bear in mind that a lot of ‘tips and tricks’ come from experience and what may seem obvious may not have occurred to a total newbie- even down to the fact that they are going to be very uncomfortable in the first place! Tell them to bring warm stuff and food.

3)  Plan ahead
Have two or three overall images in your mind that you would like to achieve. Work on getting those first and then consider everything else a bonus. This counts doubly on windy days when your model will freeze much faster than on still days.

4) Remember that shooting as a duo or group may halve the work for you…. but it doubles the work for your model.
If you’re working with another photographer who can act as assistant, your model must pose for you, wait for your assistant to set up their camera and then pose for them too. You may feel rested and ready to go again after your break from shooting but your model will not have stopped. This is not to say that duo shoots cannot work- they definitely can and I have had some fantastic and memorable times. Comfort is relative and we won’t be warm and cosy but this is how to help models out and get the best from us:
– Offer your model regular fully-clothed, snack-eating warm-up breaks even if that means waiting an extra 5-10 minutes for them. Cold muscles are stiff, tense muscles and you’ll get better results if your model can warm up to a degree.
– Understand that standing still in the cold, half naked while somebody does a lighting test does not count as a break.
– The second you have your shot, chuck the model their clothing or blanket (especially socks or something to warm their feet) and ask if they want a snack or some of whatever is in the flask.
– Your model will be far more willing and happy to push for the extra shot and pose if they feel you care about their safety and comfort.

5) Check out the location beforehand and have a Plan B.
Certain places- especially involving water- are often extremely dangerous depending on the time of year. It’s a good idea to check a day or so before to make sure the pretty little brook has not become a rushing torrent. I highly recommend the fantastic Marmalade- Urbex Model’s article about shooting in watery locations. This woman knows what she’s talking about and takes stunning pictures.
If the location is absolutely impossible in the conditions, have a backup location- even if you have to postpone the nudes in sweeping landscapes in favour of arty beauty shots using the reflections in your car mirror. ;P
I was shooting a project with Magpie Tommy many years ago- we returned to the same bit of woodland and I posed in a similar manner by the same tree. One day, in biting wind, we arrived to find somebody had driven a tractor through our patch. Cue us frantically replanting bracken with numb fingers.
IMG_4962---Copy
We got the shot though… 😉

Roswell-14.jpg

DURING THE SHOOT

1) Timing is everything
If you’re working with a team of stylists, start somewhere warm, well-lit and indoors so they can get the first look ready in relative comfort and don’t have to contend with numb fingers early. If not, advise your model to arrive ready to shoot so that she doesn’t have to do her make-up outside.
Set up your shot before asking the model to change or undress. Clothes should come off at the last possible second after all the experimenting is over and you have the perfect light and exposure.

2) Check on your model
Experienced models know their limits. Still, it is nice to be asked if we’re okay or need a minute to get warm again. (Though don’t worry- you don’t need to check every moment- we’ll tell you if we need to take five.)
When I first began modelling, I was so fixated on doing a good job and being ‘professional’ that my safety would suffer and I’d push myself to the point of danger especially in the cold. Newer models may be more worried about saying they’re in pain or too cold so check on them at slightly more regular intervals (but not every 30 seconds!) and reassure any model of any experience level in advance that if they are uncomfy or need a break, to say so and they can take a few minutes out.

3) Be on the lookout for warning signs.
Has your chatty, enthusiastic model gone silent? Are they shaking with cold? Pale, or flushed? Ask them if they are okay. Take anything other than an immediate confident “yes” as a signal to wrap the shoot. Most photographers I have worked with have been fantastic if we’re both too battered by the cold to continue but I’ve heard a fair few horror stories about models being asked to stay in the same place with the cold getting into their bones, while photographers shoot and shoot and shoot. I assume anybody reading this post wouldn’t be that photographer in the first place but I couldn’t not mention it.

Roswell-3

ADVICE FOR MODELS

1) Be prepared
Carry snacks and buy a hot drink before you arrive. Make sure you have a warm jumper or coat in your bag as well as plasters and any other medication you want to have. Keep snacks close by as they can make all the difference. The diet may go out of the window but I find a protein bar, chocolate or something like a flapjack is better than nibbling on nuts and grapes, which are healthier but don’t really fill you up.

2) Know yourself.
I know it’s one of my ‘suits all situations’ pieces of advice but seriously- what can you cope with? If you’re okay with cold, still weather but not roaring wind then take that shoot in a freezing, snowy but sheltered mountain valley- not the one with blowing material and streaming hair on the top of the cliff. 🙂
At what point do you need to stop and warm up. When you start to shiver? When your fingers go numb? When can you tell that the cold has reached your muscles? Once the cold has reached your bones, it’s all over so listen to your body and warm up before that.

3) Don’t be afraid to ask for a break.
You’re entitled to a break! Especially if your ears are going to drop off and your nose is gushing water down your face. You’re a human being and being warm(er) and less hungry will make you feel so much better- even if you know the pictures will be beautiful anyway.

4) Relax your face and try not to tense your jaw
I wish I had known this earlier! It’s one of the things that I notice about myself as a new model vs now. Luckily my tensed face suited the style on the left (my first mostly-nude shooting trip back in 2010) as I was going for the water vampire/evil siren look but there were plenty of other pictures from earlier shoots with this same expression and they did not work! The right is a later shoot- 2012. I was memorably freezing during this shoot and running around to keep warm in between shots but I’d learned how to relax my face more.
_D703886 copy Ros_9545 bnw SM
Left pic by John Downs, right pic by Imagesse

Roswell-12

GENERAL GUIDE: (This may be different depending on your level of health.)
Shivering, goosebumps: You’re cold. You can usually work through it or do some more active poses to warm up.
Stiff muscles, fingers and toes going numb. The cold is in your muscles. Take a warm-up break and wait for your fingers and toes to regain a little feeling.
Actually shaking with cold, fingers and feet numb, you’re clumsy and cannot get warm: The cold is in your bones and this is dangerous. Stop the shoot immediately, if not sooner.

Roswell-11

Over to you guys! Any more tips about shooting in the cold? Anything I’ve missed? If so, I’ll add things to this post. 🙂

Thankyou to all the photographers I’ve worked with who have been wonderful in freezing conditions, especially Imaginary Revolutionary who was a perfect example of how to shoot in the cold on a dawn photoshoot with me last month and whose images are the illustrations for this post! 🙂

ROSWELL x

Roswell-15

Upping your game- model resolutions

29 Dec

It’s that time of year again- the time we collectively freak out over our tax returns (hey, it isn’t January yet…) and many of us start looking at self-improvement, myself included. As I have a few big projects on the go, my resolutions are little ones this year but one involves upping my game as a model. The other is setting up a new website for my professional and fiction writing.

While I have a blog in the works about the ways people shoot themselves in the foot when trying to make a living as a model (or any professional really), this one’s about the little things that make all the difference. I asked industry people how they knew they were working with a really good pro model and combined their advice with mine.
NB: When I say ‘professional’, I am referring to attitude and not whether modelling is a full-time occupation.

While I detest the phrase, this is how to “take it to the next level” as Tyra Banks would say…

1) Arrive professionally!
I considered this ‘basic’ knowledge but it came up so often I couldn’t not add it to the list.
Wear loose-fitting clothing and no underwear when travelling to photoshoots- it means there will be no lines or marks on your body that will need photoshopping out. During the photoshoot, work from less clothed to more clothed. Nude to fashion. Same reason- starting in lingerie before moving onto nude means you’ll have red marks from your bra and knickers.
If there will be a stylist, come with no make-up on at all. If not, check in advance how the photographer would like you to arrive- some models prefer to come 100% shoot-ready, others apply foundation, powder and eyebrow pencil so they can freshly do any look required with the basics already in place. This works well for studio days or if the photographer is unsure what order to shoot outfits in.

wp_20141214_010
Arriving “naked”. 

2) Remember your fingers and toes!
Hands are often hard to pose. One of the lessons I learned very early on in my modelling career was that unless you are going for the ‘trapped in a box’ or ‘ugly-pretty’ vibe, hands should be made as elegant as possible by:
– Posing with the sides or backs of your hands to the photographer.
– Keeping the wrists relaxed and the elbows strong. Ballerinas already know this!
tumblr_m929rcXJkg1r5csoao1_400.gif
– Consciously paying attention to the way they look and feel, so you’re less likely to get spade hands (picture below), clenched fists or “Dr Zoidberg hands” (which is when you look as though you’re impersonating a lobster and what I end up with if I don’t remember to relax!)
020508-1421acw1 dsc_0964
Left: way back when! (photo by Gothic Image)
Right: last year (photo by Emma-Jane)

Point your toes- especially when shooting nude.It lengthens the leg and tapers it to a point rather than an angle.

3) Embrace your face
I read the BEST article about the ‘contouring’ craze recently, which mirrored my own feelings on the matter (more in a later post). Learning to do your own make-up is ‘modelling 101’ but knowing when to take some of it off is also invaluable.
Pre-Raphaelite style or very high-end Art with a capital ‘A’ photographs often feature a (seemingly) make-up-free face. Though you may rarely have to do it (especially if you’re a glamour or pin-up model), knowing how to do ‘natural’ properly and having at least one photo showing that style on your portfolio can help you if you want to move away from the more made-up genres.
5752-a1462881502202
Case in point- this is Ivory Flame, photographed by Derek.

I now wear minimal make-up for art-nude work unless the photographer is going for something different- which leads me to…

4) Ask the photographer what they want to achieve.
Your job is to get more amazing shots than the photographer needs- so they are spoiled for choice by the end of the shoot. If they have not already sent you a moodboard or plan, ask them at the beginning what kind of images they would like to make.
If they’re all about going with the flow, then put your ‘muse hat’ on and offer a few ideas along with a wide variety of poses, outfits and accessories. Not everybody has a ‘plan’ so as long as they’re happy, you’re doing a good job!
Also, ask where your light is so you know which direction to look and pose toward.

5) Ask to see the back of the camera
We aren’t judging you, photographers! 🙂 Models understand that the finished shots will often look nothing like what we can see in that teeny screen, but we’re looking so that we can check our side of things- the posing- is working. A model who asks to see their work is a model who wants to know if there’s a way s/he can improve and get a better shot.
Photographers: if your model asks to do something again, or asks to change pose so they no longer have a double chin/foreshortened arm/eye bag etc, they are not full of self-loathing, but working hard to make sure the raw photo is the best and most flattering photo you could possibly get! Learning to criticise our own work is part of improving as a model and a couple of photographers have seemed surprised and maybe a little sorry for me when I have pointed out a flaw I could fix. Don’t be! (Unless I run to the bathroom crying that I look like Mad Madam Mim…. and that hasn’t happened yet.) 😛
mim
“The magnificent, marvelous, Mad Madam Mim…”

6) Communicate en-route
Make sure you have the photographer’s number a few days before the shoot just in case of emergencies. Though I could definitely improve upon promptly replying to emails (though I do clearly note my constant travelling and 100% reply rate on my profile), I always always, always text the photographer when I am on my way to the photoshoot and again if there are any delays to my journey. This means that if I go off radar en-route (e.g. on the tube) the photographer does not automatically assume I have no-showed.

7) Rewrite your profile notes
There seem to be two schools of thought when it comes to your profile.
One: keep it concise and invite enquiries.
Two: Tell clients everything they could possibly need to know.
I can’t NOT write so I have a great big burble on my profile, BUT… it is spaced-out, separated, with headlines and font in bold. It may be lengthy to read but it is easy to read. Once you’ve saved your notes, check how they appear on the page- make sure you don’t have a wall of text and that what you’ve written is comprehensible.

8) Lose the ‘stripper rates’
I have never understood why so many models charge according to how naked they are! £15 per hour for fashion, £20 for lingerie, £30 for nude etc etc. How does it even work? If you’re booked for a fashion, lingerie and nude shoot, do you charge a different rate per hour? Divide the rate by the mean and median and consult the calculator? Stop this madness!!
Professionals understand that they put as much effort into a clothed shoot as into a nude shoot. They are posing for people who want to capture an image, not watch a glorified striptease. While the main ‘product’ you are selling is your appearance, it is also your skill at posing, your make-up, the guarantee that you will arrive on time etc etc etc. Therefore, your time should cost the same regardless of your state of undress- this places the value on you, not how much flesh you’re willing to show.

tjm_ri_164_e
“Implied clothed”. 😛
Photo by GSTim, dress by Falcieri designs

On that subject…

9) Don’t ever (EVER) have ‘secret levels’.
It is completely okay to be selective about who you work with, especially with higher levels, but hiding the fact that you pose nude (or any other level) does not work. People talk and it gives the impression that some of your work is a shameful secret.

There are many ways to be clear on the subject of levels:
– “I work up to and including lingerie level and take on very occasional nude work depending on the project.”
– “Please note I only work to art-nude level with a few individuals I select- other enquiries about nude work will be ignored.”
– “I only work to open leg level with proven photographers in the genre, with extensive references provided. Thankyou for your understanding”
– Please note that as of __insert date here__ my highest level is now lingerie. (This is a good way to state that any more naked images found are simply old work and not your ‘guilty secret’).

Facial recognition software is now scarily good- photos of you are online to stay and just like celebrities who protest through lips that have tripled in size overnight that of course they haven’t had surgery, trying to hide the obvious is an exercise in futility. Post your levels honestly and people will stop obsessing!

10) Stay pro.
Leave your photographer a reference after the shoot if everything went well! Hopefully, they will do the same for you.
If your photoshoot was TF*, you are being paid in images so make sure you receive those pictures. If it’s been a while, send a polite follow-up message. Communicating well is everything.
If you have been paid, but would like to post images on your blog or facebook etc, ask first!! Some photographers are perfectly happy for you to use the images. Others are not, so always check even if it seems obvious. If you have permission to post the pictures, credit the team if there was one. (The whole team- make-up artist, stylist, etc etc- nobody likes to be left out.)

Bonus point:
Don’t nick the photographers pasty. That’s just not acceptable… 😛

______________________________________________

I couldn’t decide which pictures to share (as per usual) but as this awesome set from Dirk Glassly show me as the polished lady who has it all, it had to be this set! 😉
Outfit by Lady Allura’s latex
Hair and make-up by me.

3l1y5787
3l1y5863
3l1y5872
3l1y5839

Committing heresy: I (mostly) hate Helmut Newton

21 Nov

Are you following my new instagram? 😉

I first came across Helmut Newton’s work when I was about eight. I was having a chocolate brownie with my mum and her friend in a Covent Garden cafe, and the smallish framed pictures on the walls featuring tall busty women in, if my memory is still working, wet t-shirt contests, all bore dates and the words “Helmut Newton”. The women looked so similar I assumed it was one model and that was her name. At age eight, I also thought that a wet t-shirt contest was about who could get their t-shirt the wettest…

Three thoughts I have about Helmut Newton.
1) He looks like Robert De Niro if you ironed him.
200px-helmut_newton_grave_headshot_crop robert-de-niro4.jpg
2) His life is fascinating- I don’t hate the man, just most of his pictures…
3) … which are an eclectic mishmash of spectacular and bloody hideous.

Over a decade after that sighting, I was working as a professional model and finding that Mr Newton is the untouchable pinnacle of fetish and erotic creative achievement according to many people I worked with and spoke to online. Bob Carlos Clarke is another (I adore his work but suspect I wouldn’t have got on with him.) In the same way Joe Public thinks of Kate Moss first and foremost when discussing modelling, Helmut Newton’s name is synonymous with many genres that make up my workload. I can’t get away from the man! More specifically, the phrase “Helmut Newton style”.

These images are by Helmut Newton.

********************
If you would like to book me for a femme fatale, glamourous nude or lingerie shoot in a gorgeous hotel or any other location with perfect hair and make-up, in black and white then please, oh please do! I love the first three images below!
********************

Charlotte Rampling
helmut-newton-charlotte-rampling-at-the-hotel-nord-pinus-ii,-arles.jpg
Daryl Hannah
11363929_1474066736227449_964280014_n
POMELLATO-1982-H.jpg

I don’t love these ones…

helmut_newton-lavazza-calendar-1994_03
helmut_newton-2.jpeg

And don’t get me started on these.

helmut-newton-1971
fired05
96c3e0311925b30e233a8f232a4bbd6a

When somebody says “Helmut Newton style”, I have no idea whether they are thinking about nude models in five star hotels with stunning hair, make-up and old fashioned decadence….. or unflattering angles on an unmade bed, legs splayed, fellating a gun. Helmut Newton has several styles and they do not look like the same photographer! I can only imagine the horror for a new model expecting the former, being booked for the latter and realising that yes, Dr Jekyll is also Mr Hyde.

I understand that his images were risque for the time, that they were influencers, but it was easier to be edgy in the 70s. When I first started modelling, I thought a gothic shoot in a graveyard with Crow make-up and photoshopped bats was an amazing idea. Fortunately, I moved on. Yes, Newton’s work is historically significant- I’m not suggesting that he be confined to history’s dustbin, just suggesting that a name should not turn a bad photo into a good one.
If this picture wasn’t a “Newton”, what stops it from being very thin woman with ‘spade’ hands and her legs hanging open?
8079282570_ca99044d3f_b
If this wasn’t a Newton, why isn’t it just a cheesy, overacted, rather unflattering shot?
helmut_newton-lavazza-calendar-1994_02
.
I think that one thing keeping his images from being thought of as trashy is his choice of models. Helmut mostly worked with extremely tall thin women with long limbs and fairly small breasts. Women with ‘fashion’ figures can often make almost anything look daring and edgy. There are poses that fashion models can pull off but make a curvier model look lurid and tacky. This is a prime example. The pose makes smaller breasts look bigger and most big (natural) breasts look like droopy udders.
9783822863947-us-300
Charlotte Rampling, Daryl Hannah, Carla Bruni… his choice of model also happened to be particularly beautiful celebrities- of course his images will remain in the public eye as long as the subjects do! Would they still be considered timeless and iconic if he had exclusively picked pretty women from the local bar?
This isn’t just any woman looking bored, grabbing her tit- this is Catherine Deneuve looking bored, grabbing Catherine Deneuve’s tit.
catherine_deneuve__esquire__paris__1976_710398383_north_499x_white

In my opinion, Helmut Newton had some truly beautiful photos and some equally dire ones in a mostly cool-ish portfolio which was helped by his choice of subject and use of stark black and white (somehow it makes many photos look more ‘arty’.)
As a fetish model, I can appreciate his daring to try weird stuff and as I usually do my own hair and makeup, I find the glamourous styling makes its way onto several of my personal moodboards. I love his hotel shots and sometimes his framing is just perfect. It’s why I’ll gladly consider a Helmut Newton style shoot with you… but first I’ll ask “what style?” ;P

Doing it better…

I’ve actually wanted to write this blog for quite some time… and then the pieces fell into place when a forum post on Purpleport started up…  So I frantically mailed a few photographers I greatly admire who, in my opinion, do “Helmut Newton style” better than Helmut Newton.

John Tisbury
993-1860690303
Model: Vic

993-1687445887
Models: Katy Cee and Iveta (both retired from modelling)

Max Operandi
991-a1465555674931
Assisting Don McCrae

991-a1468338076526
Model: Your humble blogger. That’s me.

Jeremy
1183-1431789951
Model: Ella Rose

1183-870932863
Model: Rosa Brighid

As I just realised I only have one image of me in an entire blog, here’s one of my all-time favourites, by Gregory Brown.
img_1045v2scsmallclr1

Now, I’m sure one of you is going to tell me that many of the images above were heavily influenced by Newton. I know. I am very aware of this, but the fact is that Helmut Newton was also inspired by other people and somebody (can’t think who!) said that you can copy whatever you want but what matters is being better than the original. 😉

It’s okay to disagree with me- come and have a chat about it if you want! I’m just glad I got that off my chest. ;P

ROSWELL x

P.S. Here I am demonstrating how to correctly work with a cat. Take note, Helmut Newton- wherever you are in time and space!

Incorrect cat-handling.
990a36ca5cb9340718f17d2f51c246c5

Correct cat-handling.
img_3365
Photo by Elena Isac.